Spines, NyQuil, and Staring At the Ceiling

What I Read February 2026

For a few days in February, my God-installed, non-award-winning back and intercostal muscles decided to spasm up and shut down operations. I was horizontal against my will, which is the least fun way to be horizontal. I did not enjoy this real-world lesson in what intercostals are, but I did get to spend a not-insignificant amount of time staring at the ceiling like it’s a limited series.

Just as my spine stopped trying to yeet my head down the hallway like a bowling ball, I got sick. Just like the rest of the family, only they all got it before I did.

So now I have this painful, unproductive cough, which my back is like NO, DO NOT. (You may insert your own “your writing is also painful and unproductive…NO, DO NOT” joke here. First prize is one underwhelmed “Good One, Mild Heckler” from me. Don’t spend it all in one place.)

Because of all that, this intro section is clearly going to be a bit of a wild ride, plus or minus one Mr. Toad. Whatever. It’s fine. If the intro licks a doorknob, just pretend you didn’t see it.

ANYWAY. A couple fingers of NyQuil in, and after my fourth attempt to roll over without sounding like a two-pack-a-day rusty door hinge, I started thinking about whether there might be some clever thread tying together the books I read this month. At the same time I was bellyaching about my back — *insert celestial music*

This month’s reading stack is about spines. Spines let us move through the world without collapsing into a soupy mess.

Look, I’m sticking with this premise, even if I have to force it a bit (consider it artistic chiropractic).

A man tries to stand upright in a world determined not to see him. A woman wonders what remains when cultural and personal scaffolding falls away. In another story, women hold lineage like vertebrae across generations. And in a craft book, writers are reminded that stories need structural, thematic, and other spines, and are shown how to build them.

These books also address questions of dislocation, power structures, self-determination, appearance versus reality, and the social codes that buoy and bruise us.

Which is all just to say, here are the books I enjoyed enough to finish this month:

  • Once I Was Cool: Personal Essays by Megan Stielstra
  • Invisible Man by Ralph Ellison
  • The Song of the Blue Bird by Esther Goldenberg
  • The Architecture of Story: A Technical Guide for the Dramatic Writer by Will Dunne

Note: For sanity and scale (mine, yours, and the internet’s), what follows are the openings of each review. Full versions are linked below.


Once I Was Cool: Personal Essays by Megan Stielstra

Once I Was Cool: Personal Essays

Cool is elusive and requires a certain indifference to what other people think. That’s extremely difficult to achieve for people like me who spend a certain amount of time thinking about what other people think. (Perils of the job.)

Which is to say: I am not cool. And, unlike Megan Stielstra, I may never have been.

Once I Was Cool lives in that gap between who we thought we were and who we are now…

(continued here)


Invisible Man by Ralph Ellison

Invisible Man (Edition 2) by Ellison, Ralph [Paperback(1995£©]

We tell ourselves stories about who we are. We tell ourselves that effort will be seen, that talent will be recognized, that identity is something we build and then present to the world.

Invisible Man by Ralph Ellison dismantles that.

The novel follows an unnamed young Black man trying to find his place in a society determined not to see him as an individual…

(continued here)


The Song of the Blue Bird by Esther Goldenberg

The Song of the Blue Bird: The Desert Songs Trilogy, Book 3

History is usually sung in the key of men: their journeys, their covenants, their departures and returns. The women, if they appear at all, are often relegated to the margins, tending the hearth.

The Song of the Blue Bird by Esther Goldenberg shifts the lens and begins where the women have always been: at the heart of survival and the center of the story. These women are far too busy living, enduring, scheming, loving, and adapting to remain marginalia in someone else’s story…

(continued here)


The Architecture of Story: A Technical Guide for the Dramatic Writer by Will Dunne

The Architecture of Story: A Technical Guide for the Dramatic Writer (Chicago Guides to Writing, Editing, and Publishing)

I picked up Will Dunne’s The Architecture of Story while working on my novel and trying very hard to ignore the inner voice that had begun scream-whispering, “You don’t know what you’re doing!”

I was stuck. I had reached Chapter Twelve with the creeping suspicion that Chapters One through Eleven were not only slightly disconnected from Twelve, they might also be slightly disconnected from each other and possibly from any version of “good…”

(continued here)


And there be the February reads. As always, I welcome any recommendations! Read any good books lately?

In Attendance

Also, a Coat

The coat is brown, puffy, and goes to my ankles. Add a messy bun and I look like the poo emoji.

I needed the coat a few weeks ago because it was freezing and my daughter had a regional middle school choir concert at a high school gym.

Middle school choir concerts are my favorite form of civic optimism. Kids collaborate to make something beautiful despite puberty actively sabotaging their vocal cords, all so an audience can briefly believe we belong to one another. This is where hope lives, even if the venue smells like feet.

Parental love has historically forced humanity into far worse circumstances than this, even on a cold Thursday evening.

So into the coat I went, looking and feeling like a baked potato.

My husband, daughter, and I arrived at the high school to find the gym entrance guarded by a teenage usher who held back the restless audience with all the authority of a traffic cone. The kids went to warm up while families packed the lobby. Everyone talked about how busy and tired they were. The tiredest people who have ever busied. As if to illustrate the point, an exhausted toddler lay starfished on the floor, wailing in the Hall of Interminable Waiting.

Five minutes before the show, the poor usher stepped aside and the crowd surged. Someone behind me decided I was an obstacle to their getting exactly as bad a seat as everyone else, and they shoved me. Mercifully my enormous coat absorbed the blow.

Anyway, we easily found seats, as did literally everyone else. My coat’s protective puffiness had been deployed for naught.

A few parents from our kid’s school came over to chat (“Hi! How are you?” “Tired and busy.” “Same.”) and then disappeared into bleachers on one of the three designated walls.

I folded my coat behind me, exhaled, and assumed that for the rest of the evening, the worst thing that could happen was that 50-100% of my butt cheeks might fall asleep.

Along the fourth wall were the rows of choir kids in school shirts and venue-appropriate shoes, clutching folders and ready to be taken seriously while delighting us.

The program started. The choirs took us on a world tour: “Tottoyo” from the Caribbean. The Russian folk song “Kalinka.” An arrangement of “Dies Irae” to liven up the joint.

When not singing, the kids sat attentive and appreciative of the other groups.

And for three glorious minutes, I thought maybe humanity has a chance.

However, another performance unfolded behind us, where a delegation of moms and dads sat. No idea who they were, but they clearly knew each other well enough to narrate the entire concert. Before, after, and during the songs. They declared “winners,” opined on which song “lost them,” and critiqued soloists. They laughed out of delight, but sometimes they laughed in that other way, too. One mom casually sang along to the songs she knew, and she knew quite a few of them. Then she complained about the audience’s bad etiquette when they clapped for soloists in the middle of a piece.

(Reminder: the universe will always choose to deploy irony in a high school gym.)

The singers were too far away to hear the chatter. My husband and I were too close not to.

But no one else seemed bothered – except possibly the person on the other side of my husband, who sat up straighter and straighter as the evening wore on, like her sense of decency was trying to escape through the top of her head before she did something regrettable.

Maybe the talking was the kind of thing you’re supposed to let slide. I reminded myself that no one had crowned me Queen of the Gym Bleachers, Sovereign of Decorum.

My shoulders crept toward my ears with familiar fury. Oh, hello, lifelong training to quell my irritation rather than risk being socially punished for noticing poor behavior.

I tried to listen to the kids, but the conversations behind me kept pulling my focus.

And then, my notably easygoing and also deaf in one ear husband shushed them.

He shushed them. Again and again.

I mean, they ignored him, BUT STILL.

After the final song, my husband and I performed a traditional Midwestern Passive Aggressive Two-Step.

1. Stare down Sing-Along Mom and her friends and say, “These kids deserved a better audience.”

2. Flee.

We found our daughter near the doors, eager to tell us all the behind-the-scenes details.

I nodded along, overheating in my coat, listening to her version of the night where everyone made space for one another.

We told her we were glad we were there.

Your Football Talk Is Ruining My Super Bowl Celebration: A Big Day Reminder

Please review before anyone touches your ancestral 7-layer bean dip.

In honor of today’s big event where the commercials matter, the snacks matter, and the game happens, I’m delighted to reshare my Belladonna piece, “Your Football Talk is Ruining My Super Bowl Celebration.”

It is my way of helping us all navigate the big game with partners whose priorities may be misplaced.

Whether you are Team Totchos or Team Scooperdome, wishing you a warm and festive Super Bowl Sunday.