Glorious. Humane. Funny. Furious.

What I Read June 2026

Runs into blog carrying a stack of books.

Hi! Sorry I’m late. I know I’m not “the cavalry has missed the battle” late. But a little late.

…It’s just that this month has been…

Holds up one finger…

Hang on…

Several deep breaths.

…You know what? It doesn’t matter. Everybody’s month has been amonth. Nobody needs me filing an extension request with my own blog.

Sorry, just a second please…I seem to have overexerted myself…

One more deep breath.

Good grief. Sprinting into your own blog is a young person’s game.

Bends over and puts hands on knees.

Jeez, I’m out of shape.

Whew! Okay. This month: weird brilliant people doing weird, brilliant, consequential things.

Children, teenagers, writers, neighborhoods, eras, nations all trying to become something before they know exactly what that something is.

Grabs water bottle and chugs for a good 15 seconds.

Anyway, enough philosophizing and dramatically bolting into my own post. I’ve got five books to talk about, and if I don’t start now, this’ll become next month’s reading roundup.

Which is all just to say here are the books I enjoyed enough to finish this month.

  • The Greatest Sentence Ever Written by Walter Isaacson
  • The House on Mango Street by Sandra Cisneros
  • Slouching Towards Bethlehem by Joan Didion
  • Now Is Not the Time to Panic by Kevin Wilson
  • Persepolis by Marjane Satrapi

Note: For sanity and scale (mine, yours, and the internet’s), what follows are the openings of each review. Full versions are linked below.


THE GREATEST SENTENCE EVER WRITTEN by WALTER ISAACSON

The Greatest Sentence Ever Written takes the second sentence of the Declaration of Independence (“We hold these truths to be self-evident…”) and treats it as the protagonist in a story still unfolding.

Magnificent.

I mean, most sentences are not generally carrying the moral aspirations of an entire nation for the better part of two and a half centuries, and yet…this one has been drafted, edited, celebrated, weaponized, ignored, embroidered, recited by schoolchildren, shouted by abolitionists, borrowed by suffragists, quoted by civil rights leaders, and repeatedly forced to testify against the country that invented it. That’s a hell of a strong lift for thirty-something words.

(continued here)


THE HOUSE ON MANGO STREET by SANDRA CISNEROS

I read a lot of books that make me want to read more books.

The House on Mango Street made me want to write better.

I came to The House on Mango Street because my daughter sang its praises. She loved the language, the architecture of the storytelling, the way the novel gathered itself from brief, luminous pieces instead of long, sweeping chapters. For weeks she kept returning to it in conversation. So I read it. She makes excellent recommendations.

(continued here)


SLOUCHING TOWARDS BETHLEHEM by JOAN DIDION

The biggest risk I take reading Joan Didion is that by the end of every essay, I am absolutely convinced I should write like Joan Didion. This delusion lasts until I remember I do not think like Joan Didion, nor do I arrange the world into crystalline observations like Joan Didion. Her notebook, unlike mine, is probably not filled with things that say “Bananas???” and “My elbow is weird.” Didion and I are worlds apart, is what I’m saying, and my life is much less for it.

(continued here)


NOW IS NOT THE TIME TO PANIC by KEVIN WILSON

There are two things Americans love more than minding our own business:

  1. Not minding our own business.
  2. Convincing ourselves that a thing (that is usually none of our business) means something it does not mean.

Look, civilization is held together by a fragile social contract. Most of us agree not to panic about things. We agree not to form mobs. We agree to use our brains and our words when something unusual happens. Yet, all it takes is a sufficiently mysterious poster and enough people convinced that uncertainty is intolerable for that social contract to dissolve.

(continued here)


PERSEPOLIS by MARJANE SATRAPI

Somehow I had reached adulthood without ever reading Persepolis.

It is subtitled “the story of a childhood.” This is inadequate and also perfect. These types of contradictions make up the friction and the heart of this book.

(continued here)


And there be the June reads. As always, I welcome any recommendations! Read any good books lately?

Please Enjoy My 2026 Holiday Card

Exactly on Time

Beach-themed illustrated title card for "Please Enjoy My 2026 Holiday Card." Subtitle: "Exactly on Time." By Jackie Pick.

Hello. It is June and this is my holiday card. Why? Because I did it last year and now I’m trapped by my own nonsense.

Besides, December is overloaded with holidays and various observances. It is the junk drawer of months. June has capacity for dumb stuff like this new tradition of mine.

Many traditions are just questionable decisions that gain momentum. This is how icebreakers, Elf on the Shelf, and Rob Schneider’s career got started.

Anyway. Greetings. Happy Asteroid Day, Outfit-of-the-Day Day, Frozen Yogurt Month, and Accordion Awareness Month however you celebrate.

(Is anyone unaware of accordions?)

Dearly Beloved,

We gather here today to squint at the smoldering crater where the first half of 2026 used to be and see if we can identify any remains.

Rest was once again on my 2026 to-do list. Are you familiar with Rest? People always recommend it. “Get some Rest,” as though Rest is something I should pick up next time I’m out running errands. Wonderful. Where is it? Is there a form? Does it come in bulk? Send me the link.

Thus far in 2026, I have acquired no new hobbies. I’d like to thank myself for that. I also did not renovate any part of my house, body, or mind. Nor did I write the Great American Novel (or the Terrible American Novel.) This is either existentialism or executive dysfunction.

Back in April, I accidentally did a squat.

Spring made a brief cameo appearance here in the Midwest before being escorted off the premises by eighty-seven consecutive weather emergencies. There were tornado warnings, air quality alerts, severe thunderstorms, tentative thunderstorms, and at least one day when outside felt like the inside of a crockpot. (Meteorologists are encouraged to fact-check me in their own annual holiday card, which I assume is called “Warm Fronts.” )

Yes, I consult the weather app frequently. I don’t know why. The weather app has never once improved the weather.

Unfortunately, the world is still producing horrific headlines at a rate normally associated with cocaine usage, and we’re still expected to keep up with household chores and careers and Duolingo and figuring out whether consciousness is emergent or fundamental.

Human beings were not designed for this. Human beings were designed to get excited when we spot a delicious non-lethal berry in the wild.

Still, we persist. Perhaps humanity’s greatest tradition is committing to ridiculous things.

From the Office of Glorious Offspring, my children continue their relentless campaign to grow up. I support this in theory, while also distinctly remembering teaching them things like “this is how to use a spoon” and “don’t lick shopping carts” and “that’s not how pants work.” It’s beautiful. I hate it. I am thrilled. I am devastated. I am proud. I am confused. I am excited. I am worried. These are not opposite things.

I am handling this magnificently, obviously.

The dog also persists. His monthly tradition is to shed enough fur to create an emergency backup dog. He is the household’s resident barbarian king, and we love him.

Clearly, love is just deciding that someone’s nonsense and fuzz is worth celebrating.

Surprisingly (and against mounting evidence) I continue to write. Writing is strange because much of it looks exactly like not writing. Then, somehow, words appear. Occasionally I gather with insanely talented and profoundly kind writers, which is fortunate because writers require regular contact with other writers. Left unattended, we wander into the woods and become lichen.

Writing is my nonsense and fuzz.

As is customary in holiday cards, I shall now announce resolutions that have absolutely no chance of surviving until Labor Day. There are but three:

  1. Learn to distinguish between “This is interesting” and “I now own three turnip-specific kitchen gadgets.”
  2. Avoid arguing with fools unless the audience is exceptional.
  3. Be punctual with holiday-related blog posts. I’m already drafting my Arbor Day piece. The jokes do not write themselves.

Traditions are the nonsense we decide to keep. Some are inherited and some are accidental. Few make much sense and most make life better.

And so, I present to you THIS BERRY for your excitement …

Close-up of a ripe wild strawberry.

…and some thematic music for the rest of your Asteroid Day.

May we continue to commit to the bit.

I Threw Out My Shapewear

Title card with pink floral border and soft pink background reading “I Threw Out My Shapewear” by Jackie Pick.

I threw out my shapewear.

I’d amassed quite a collection. Spanx. Flexees. Wacoal. Expensive. Off-brand. Bargain brand. Spandex. Bone-in. Rib-eye.

We’re told shapewear makes clothes look better. That’s the line, right?

Entire industries are devoted to convincing us that the female human body contains an unacceptable number of female-human-body-shaped features. 

Their solution was to invent body-squishing devices that relocate flesh to less politically sensitive regions of the body. This is called “smoothing” or “controlling.”

Interesting. “Controlling” implies some sort of unruliness or criminal element. And what exactly are we smoothing here? Evidence? Evidence we have bodies? Evidence we’ve eaten lunch? Evidence that time and gravity remain undefeated?

Look, humans invent stupid things all the time. Cryptocurrency. Television shows about buying storage lockers. Truck nuts. Why, I myself own several pairs of Crocs.

Invention isn’t the problem. Consensus is. Somebody looked at a human body and said, “You know what would improve this? Compression!” and the rest of society said, “Go on.”

It’s me. I’m the rest of society. I knew what they were doing. I knew what they were selling. I knew my organs had committed no crimes. Yet there I was, handing over money so a spandex torture tube could persuade me I looked a little better.

This pressure didn’t come from some shadowy shapewear enforcement agency hiding in the bushes. I’d simply internalized that I needed to apologize for existing in three dimensions, all in the name of making my clothes look better.

I understood the game and kept playing it, unforced.

Close-up of shapewear packaging listing benefits including “airbrushed look,” “super tummy-toning,” “slims hips, thighs & rear,” and “boosted confidence.”

When did comfort become incompatible with looking nice? And when did taking up space become incompatible with looking nice? I’m thinking circa Garden of Eden, plus or minus a few days. (If you’re actually interested in the history of why women have been vacuum-sealing themselves into uncomfortable garments for centuries, there is an impressive amount of scholarship available on the subject.) 

A few years ago, I attended a semi-formal event after spending most of the week recovering from food poisoning. Bolstered by Gatorade and feeling better, I decided to go. I also decided not to wear shapewear. Nobody was paying that much attention to how I looked anyway, right? Aren’t there countless articles insisting that everyone is too self-absorbed to notice other people? Countless life coaches telling us people only study your body if you’re on a catwalk or participating in some sort of performance art involving nudity and Nutella?

(FYI, Nudity and Nutella is now the title of my memoir. You may not use it.)

At some point during the evening, someone who knew I’d been ill gave me the ol’ up-and-down and said, “I know you were sick, but it works for you.”

BUT IT WORKS FOR YOU. 

I’d lost maybe three pounds. Three. Not even enough for my driver’s license to no longer be lying about my height. Three pounds.

I’ve held on to that comment for years. Three pounds had apparently crossed the threshold of noticeability. I hate that someone noticed and I hate that I cared that they noticed.

We are so accustomed to treating women’s bodies as decorative that suffering gets mistaken for a beauty regimen.

The old stories are full of this. Girls shrinking. Girls sleeping. Girls trapped in towers. Girls folded into boxes and coffins and tiny acceptable shapes. The reward, always, is approval. The reward is never freedom until The End.

An ancient bargain. Suffer, and perhaps we will call you beautiful. Starve, and perhaps we will approve. Shrink, and perhaps we will love you.

I have come to distrust every story that asks a woman to vanish in order to win.

(And by the way, I do not recommend food poisoning as part of any plan, especially a plan to appear in public. Zero stars. Not even stars. Black holes. FIVE BLACK HOLES.)

Still, I kept and used the shapewear. I wanted what it promised and I also knew better.

In the last few months I’ve attended roughly twenty events. I did not look meaningfully different when I wore  shapewear, but I was much less comfortable.

Shapewear is supposedly about confidence. Shapewear has never given me confidence. It has given me information – mostly detailed, real-time updates regarding the location of my pancreas.

Clothing tag for shapewear labeled “Solutions for All-Over Confidence,” with color-coded categories including tummy, bottom, and all-over solutions.

I carried three children in my body, two of them simultaneously. That my midsection is softer and more convex than a granite countertop is a perfectly reasonable consequence. The rest of me ain’t exactly hewn from marble either. Such are the terms and conditions of living the life I live.

Look, wear what you’re going to wear. Spanx yourself or don’t. But I’ve reached the point where my comfort is not a moral failure and my breathing is not laziness and my getting (un)dressed should not require the jaws of life. I’m not on this earth to make my clothes look better. 

My body has done the astonishing work of keeping me alive despite the vast number of vegetables I’ve not eaten. It is well past time for it to be free. 

I threw out my shapewear. I don’t give a flying Flexee.