Category: Creative non-fiction

The B and Noble Men

Title card with The B and Noble Men at the top, three cartoon lemons looking unhappy, and a small dragon.

The two men stood in the one spot conspicuously free of shelves. Open, unsacred, lifeless space, as far from books as it is possible to be in a bookstore. A no-man’s land of sorts, but there they stood in this patch of space meant for rearranging thoughts or deciding where to go next. At first glance, they seemed to be there to grab something quickly and leave, or perhaps to wait. In each other’s presence, a momentary reprieve from feeling out of place.

We, my daughter and I, were there to rearrange our thoughts, to mend our worn edges. Words might carry us someplace softer where we could escape into neatly bound pages where someone else’s problems — smaller or larger, didn’t matter — offered strange, familiar solace. The bookstore smelled of coffee and, in that section we were trying to pass through, cologne.

They were aggressively unremarkable, those men. Able to demand attention without effort, to compress the air around them into a self-satisfied density. Loud. Confident. Convinced. The kind of people who view their success as an inevitability, etched into marble, affixed in permanence rather than scribbled on the side of a red Solo cup.

Perhaps that was the cologne talking.

They stood in that bookless space, wearing athleisure wear of curated ease, possibly worn for the exertion of “watching the kids” for a bit.

Forgive me, sometimes I read too much into things. It was a bookstore, after all.

They were comfortable and loud, their presence as much volume as it was space, somehow sprawling across this nearly empty bookstore so close to closing. They were careless as they dismantled a woman one of them had encountered — socially, professionally, who knows? Didn’t matter.

“She had too much plastic surgery,” First Guy said. “Her face looked tight. Fake.” He sculpted the air with exaggerated movements. “She looked like a lemon,” he added, pleased with himself. “Which is fitting.”

Other Guy laughed. “Yeah. I totally get it.”

Encouraged, First Guy fumbled for more analogies, more ways to articulate how deeply unacceptable this woman was, what with her face and everything else about her. He pulled his features into grotesque imitations of whatever displeased him about her, which seemed to be quite a bit.

My face never keeps its mouth shut and must have betrayed me. It always does. A flicker of something, too small to name but enough to catch their attention. Disapproval, maybe. Or disgust. Some merciless and mirthless conveyance of this again?

I warranted enough attention for them to shift their bodies and pause their conversation, their gaze heavy.

What did they see? Stitches, scars, gravity, broken things, healed places of a full human?

Nah. Definitely another lemon. Or maybe a yuzu or a blood orange. I haven’t had work done on my body unless you count the pieces of bone, flesh, and pain-points removed, so they were left only the sour.

We considered each other. I’d guess they were thinking I was intruding without smiling. They would probably not guess I’d had another day of fighting tiny, bothersome dragons.

Their interest faded. Their laughter resumed, quieter now. Slick. Greasy.

I walked away to catch up with my daughter.

She stood in the Young Adult section trailing her fingers over the spines of books. She held herself carefully, her shoulders drawn inward in the way she does when she’s trying not to let disappointment show. Her fingers lingered on one book, then another. She’d had a hard day, the kind with sharp teeth and scales. The kind a mom can’t fix, except by standing between her and the world long enough to let her breathe.

We searched for books — anything, really — that offered comfort, distraction, or, failing that, instructions for building a trebuchet from empty bags of Nerds Gummy Clusters.

She didn’t notice the men. She didn’t register their voices lofting over the shelves. If she did, it was part of the din of the day.

I’d said nothing to them. Me. Lady Speak Your Mind.

Of course I didn’t. Because it wasn’t my place. Because the parking lot was dark. Because I’m not their mother. Because risk analysis. Because this is the way of things.

Strategy? Failure? Quiet calculus of motherhood?

If my daughter weren’t there. If it were daylight. If I were ferocious, less aware of what happens when certain men decide you’ve embarrassed them. Maybe I would have said something.

Probably not. But maybe.

But if I did, it would’ve been presented as a possible joke. Lemon Face clearly owes you an apology. How dare she. Big smile. Plausible deniability. Pointless.

But I didn’t. Of course I didn’t.

When we left, they were one shelf away from the self-help section. The Universe, perhaps also running on empty, only offered dad jokes.

We, my daughter and I, left without books and went home, a place where tiny, bothersome dragons give us passage and say, “We’ll catch you tomorrow.”

I Am Become Electric Blanket, Destroyer of Cheese

December 2024 Month In Review.

Hello. Hello again.

I was going to call this “Sick, Sick, Sick” and because wordplay! But nobody wants to end their year wading through thick puddles of my half-baked cleverness. So let’s just get on with it.

I am ready to ball December 2024 up like a fitted sheet and shove it in my linen closet. Because I’m not a heathen, I’ll toss a nice sachet in there so if I ever have to pull it out for guests, wrinkled and snarling (the month, not the guests, but maybe the guests also?) it will smell like lavender.

Electric blankets are more my thing, anyway. Wrap me up. Keep me warm. Make me the human equivalent of a Pop Tart.

So, do I need to wrap up the year?

No.

Will I though?

Also no.

But if you need closure, here’s 2024 in five syllables:

Howlers abounded


Moving on.

End of December. We rest. We winter (Katherine May knows what’s up). We stretch through this dead time between Christmas and New Year’s when no one knows what day it is and our diet is mainly appetizers.

The lead-up to this moment was, of course, chaos: finals, concerts, snow, mourning, trying to be in all the places we had to be, or maybe needed to be, and probably (definitely) didn’t want to be. Getting there prepared and on time on top of it all.

Which is to say: I’m tired.
Which is to say: I got very sick this month.

Because, in this urgency culture we glorify (seriously, stop doing that), guess who was so busy her flu vaccine fell through the cracks? STOP GUESSING, IT WAS ME. Enter: Influenza A. Cue misery and disruption. The flu invited a friend to crash the party. (Seriously, stop doing that).

New, terrifying eye floaters.

Google searches. Dreaded warning: CALL A DOCTOR OR GO TO THE ER. RETINAL DETACHMENT! OR MAYBE TINY COYOTES EATING YOUR EYE GOO LIKE PUDDING. ONE OF THOSE.

I called the eye doctor. He told me — using a lot more words than I needed after he told me he couldn’t help — to go directly to a retinal specialist, who tested me in part by shining bright lines into my dilated eyeballs. He then gave me another very wordy explanation for my ocular migraine.

The flu probably triggered the migraine.

Also triggered? My face eczema. Because clearly, what I needed during all this was to feel EVEN PRETTIER. Cue lotions, ointments, and salves. I felt like Neo emerging from the Matrix — only without Keanu Reeves or any cinematic allure whatsoever.

It passed.

(This isn’t the kind of story I want attached to my legacy, but we don’t always get to choose these things. To paraphrase someone wiser than me: I don’t want you to think I’m an idiot, but I keep giving you reasons to consider it.)

(Also, why are my eye doctors so verbose?)

Anyway, this now-healthy, slow, delicious time is a symphony of sugar and flour and fats and savory brown foods reminding us who we are when the world isn’t trying to set us on fire.

We turn NOW into NO and take the W.

Sorry. I just shoved you into a thick puddle of my half-baked cleverness. Grab my hand, I’ll get you out of there.

Wonderlands don’t need to cover acres. They don’t need castles or white rabbits or maps with riddles layered in mystery. They just need time to stop. Done. Wonderland achieved.

And while I’m here and not living in a panicky immediate, let’s take a second and talk 2025.

Goals:

  1. Let my inner weirdo become my outer weirdo.
  2. Find more wonderlands: Big cushions, warm chairs, fireplaces, and someone patting the seat next to them like, “Come. Sit. Stay a while.”
  3. Work the phrase “Everything went tits up” into more conversations.
  4. Be like my dog: Long walks, bursts of speed toward nothing, naps in the sun, and flappies (scientific term) to clear my head.
  5. Read more. Write more. Read better. Write better.
  6. I used to tell stories here. Real ones. Small ones. Messy, absurd ones. Somewhere along the way, I got stuck in broad magician-off-the-strip tellings. No more. Back to real ones with all tits-up moments.
  7. Schedule my damn flu shot. (No more tiny coyotes eating my eye goo.)
  8. Play. Please join in. And if you don’t feel like playing? That’s okay. There are lots of cozy seats ‘round these parts. Feel free to plop down and exhale. Save me a spot.

Here are some splashes of marvelous from December, 2024

  • Tylenol & Ibuprofen, my MVPs of December.
  • This makes me want to stomp around the living room like a goblin with excellent rhythm.
  • These things:
  • Conclave. Power struggles? Stanley Tucci in a Vatican drama? Twist ending? I say yes, yes, and yes again.
  • I am not timely nor do I care. Sometimes, you just need a high-functioning sociopath with a penchant for good deeds to remind you that bad guys can be outsmarted. Do your research!
  • Cross. If this doesn’t catapult Aldis Hodge, Samantha Walkes, and Isaiah Mustafa into super-DUPER-stardom, I will personally riot.
  • Once a year, we dress up fancy and go out for steak and gruyere scalloped potatoes, measuring time by how few leftovers we bring home. (This year, practically none.) We laughed, we ate, and we unraveled the mysteries of life — like why a bread basket feels like pure magic, whether the Bears will ever resemble even adulterated magic, and boring things like the stock market. The evening offered glimpses through the veil of time — tiny windows into the future and brilliant flashes of the past. I hope we do this forever. How lucky I am. 
  • “We’ll float between two worlds…until everyone we love is safe.”
  • Here’s some perfection for you. 
  • Grace Paley is an author I keep promising to revisit. Coming across this gem reminds me to get to it. Life is short. 
  • The Only Emperor is a grand poem if only because author David Shapiro speaks directly to me in the first line.
  • I appreciate the NYT giving me a head start on my “what do I read next” anxiety. These looked interesting. (Here’s a link for you to make your own list.)

Thank you for being here with me. I hope 2025 is the love story you need: warm, weird, and wonderfully uncatastrophic.

On Monsters — October 2024 Month In Review

Don’t stop me if you’ve heard this one before

In lieu of my regular month-in-review post, I’m resharing something I wrote in May of 2023. Monsters are on our minds these days. November shall be reviewed in my usual nonsense way.


In the heart of the Muppetverse, amidst a tapestry of vibrant characters and whimsical narratives, stands a beacon of childlike wonder and boundless optimism, a giant whose iconic blue exterior conceals a tale of profound transformation and existential introspection. Few in Hollywood have the talent and range to achieve a level of stardom where one name suffices:

Streep.

Pacino.

Grover.

And he’s cute, too.

We meet at a trendy bistro in Williamsburg, eager to delve into his illustrious career that spans from humble beginnings in local theater to soaring exploits as a beloved superhero. Grover’s polymath talents have propelled him into the ranks of America’s elite artists. However, the journey from his nurturing roots at PBS to the esteemed shores of HBO was far from effortless, strewn with challenges that made success anything but elementary.

As we settle in for an intimate conversation, I ask about the delicate balance between the broad humor of Sesame Street and his infamously meticulous approach to zaniness. Sipping his cucumber lime spritzer, Grover ponders the question. “It is always a quest to find the heart beneath the punchlines,“ Grover shares, an unexpected surge of static electricity passing between us when his hand brushes against mine. “Every joke I tell, every lamppost I fly into, I strive to capture a truth, a moment of connection that transcends the silliness and connects with the human condition.”

It is evident before we finish our burrata and heirloom tomato salads that, while Grover’s on-screen persona is a bundle of joy, his off-screen persona can be enigmatic. Grover’s career isn’t just a litany of roles; it’s a manifold reflection of his ability to become and play

I steer the conversation to Method Acting. “I believe in authenticity,” Grover says. “Whether I am donning the cape of Super Grover or showing viewers the exquisite agony of working as a waiter to a fussy customer, I strive to bring truth to every character. It is all about connecting with the audience, being loud and soft. Do you know the difference?” Before I answer, he cries. “LOUD!” It is transcendent, a performance matching the ethereal mastery of Tilda Swinton’s shape-shifting in “Orlando.”

Indeed, from taxi driver to flight attendant, Grover’s preparation is exhaustive. “I do the research,” he says, his head gently tilting from side to side — one of his charming idiosyncrasies. “I have driven the cab. I have worked in restaurants, and I have sold ears door-to-door. If I want the audience to believe it, I have to live it.” Grover believes that his career isn’t just a list of roles; it’s a chronicle of his metamorphoses.

But this transformational zeal, while laudable, is the stuff of gossip on set. Some costars find his relentless process admirable, others roll their googly eyes when he refuses to break character and wears his Super Grover cape around all day.

Gentle giant Big Bird groused, “Grover is… intense. Sometimes, too intense.”

Pathological hoarder Oscar the Grouch shared, “Grover always had this existential itch, questioning the very fabric of his felted existence. It made for some interesting trash can conversations. Now scram!”

Pigeon fanatic and confirmed bachelor Bert added, “Grover spent an entire week engrossed in the study of prepositions for ‘Over, Under, Around, and Through.‘ It’s a level of commitment to something really tedious that I respect.”

Then there were those rumors of a rift between Grover and Count von Count, suggesting that their divergent approaches to performance caused tension backstage. Lines were drawn as Muppets aligned themselves with either the chaotic charm of Grover or the methodical precision of the Count. Both Grover and the Count deny this (“No! No! No! That’s three nos!”) although they acknowledge there were heated discussions. Grover explains, “That is about the work, man. It is not personal. It is like the Dadaist feud between Marcel Duchamp and Francis Picabia. Ultimately, it is the children who benefit.”

As we discussed his background, it is clear he grapples with profound questions about the role of some unseen hand in shaping his identity. Over plates of Wagyu beef carpaccio, Grover regales me with tales of his early aspirations as an actor. “I attended the School of Muppet Dramatic Arts, a place where the alphabet was recited in iambic pentameter. I sipped from the chalice of the greats there.“ For his senior performance, Grover presented an original piece entitled “BLUE GOD,” showcasing his groundbreaking jazz kazoo skills.

That early work paid off. Grover’s Monsterpiece Theater performances have been lauded for their depth and breadth. There’s something hauntingly beautiful about him tackle a Shakespearean monologue, unblinking and unconcerned with emotional regulation.

Yet, as the shadows of middle age crept up, a yearning restlessness tugged. “I hit rock bottom in Season 19. I was unable to connect with the show or the characters. Maria and Luis got married. Elmo’s World took off. And where was I? Where was I going?” Grover struggled with a well-publicized problem with huffing fabric glue but traveled the world, got clean, and eventually found renewed purpose in his Global Grover segments.

What’s next? While he has no plans to leave Sesame Street, Grover gazes toward new horizons in brooding glory. “I am open to exploring opportunities to do prestige shows at HBO.” Grover then revealed, “I auditioned for the role of Roman on Succession. The control issues, the exploration of exotic fetishes — it would have been a good fit. I know what it is like to feel you are someone’s puppet. Like you are a version of yourself waiting to happen, but your story has not been written yet.“ He paused, allowing the profoundness of his words to sink in. “The Monster at the End of the Book? It is me. It is all of us.”