Category Archives: Writing

Spines, NyQuil, and Staring At the Ceiling

What I Read February 2026

For a few days in February, my God-installed, non-award-winning back and intercostal muscles decided to spasm up and shut down operations. I was horizontal against my will, which is the least fun way to be horizontal. I did not enjoy this real-world lesson in what intercostals are, but I did get to spend a not-insignificant amount of time staring at the ceiling like it’s a limited series.

Just as my spine stopped trying to yeet my head down the hallway like a bowling ball, I got sick. Just like the rest of the family, only they all got it before I did.

So now I have this painful, unproductive cough, which my back is like NO, DO NOT. (You may insert your own “your writing is also painful and unproductive…NO, DO NOT” joke here. First prize is one underwhelmed “Good One, Mild Heckler” from me. Don’t spend it all in one place.)

Because of all that, this intro section is clearly going to be a bit of a wild ride, plus or minus one Mr. Toad. Whatever. It’s fine. If the intro licks a doorknob, just pretend you didn’t see it.

ANYWAY. A couple fingers of NyQuil in, and after my fourth attempt to roll over without sounding like a two-pack-a-day rusty door hinge, I started thinking about whether there might be some clever thread tying together the books I read this month. At the same time I was bellyaching about my back — *insert celestial music*

This month’s reading stack is about spines. Spines let us move through the world without collapsing into a soupy mess.

Look, I’m sticking with this premise, even if I have to force it a bit (consider it artistic chiropractic).

A man tries to stand upright in a world determined not to see him. A woman wonders what remains when cultural and personal scaffolding falls away. In another story, women hold lineage like vertebrae across generations. And in a craft book, writers are reminded that stories need structural, thematic, and other spines, and are shown how to build them.

These books also address questions of dislocation, power structures, self-determination, appearance versus reality, and the social codes that buoy and bruise us.

Which is all just to say, here are the books I enjoyed enough to finish this month:

  • Once I Was Cool: Personal Essays by Megan Stielstra
  • Invisible Man by Ralph Ellison
  • The Song of the Blue Bird by Esther Goldenberg
  • The Architecture of Story: A Technical Guide for the Dramatic Writer by Will Dunne

Note: For sanity and scale (mine, yours, and the internet’s), what follows are the openings of each review. Full versions are linked below.


Once I Was Cool: Personal Essays by Megan Stielstra

Once I Was Cool: Personal Essays

Cool is elusive and requires a certain indifference to what other people think. That’s extremely difficult to achieve for people like me who spend a certain amount of time thinking about what other people think. (Perils of the job.)

Which is to say: I am not cool. And, unlike Megan Stielstra, I may never have been.

Once I Was Cool lives in that gap between who we thought we were and who we are now…

(continued here)


Invisible Man by Ralph Ellison

Invisible Man (Edition 2) by Ellison, Ralph [Paperback(1995£©]

We tell ourselves stories about who we are. We tell ourselves that effort will be seen, that talent will be recognized, that identity is something we build and then present to the world.

Invisible Man by Ralph Ellison dismantles that.

The novel follows an unnamed young Black man trying to find his place in a society determined not to see him as an individual…

(continued here)


The Song of the Blue Bird by Esther Goldenberg

The Song of the Blue Bird: The Desert Songs Trilogy, Book 3

History is usually sung in the key of men: their journeys, their covenants, their departures and returns. The women, if they appear at all, are often relegated to the margins, tending the hearth.

The Song of the Blue Bird by Esther Goldenberg shifts the lens and begins where the women have always been: at the heart of survival and the center of the story. These women are far too busy living, enduring, scheming, loving, and adapting to remain marginalia in someone else’s story…

(continued here)


The Architecture of Story: A Technical Guide for the Dramatic Writer by Will Dunne

The Architecture of Story: A Technical Guide for the Dramatic Writer (Chicago Guides to Writing, Editing, and Publishing)

I picked up Will Dunne’s The Architecture of Story while working on my novel and trying very hard to ignore the inner voice that had begun scream-whispering, “You don’t know what you’re doing!”

I was stuck. I had reached Chapter Twelve with the creeping suspicion that Chapters One through Eleven were not only slightly disconnected from Twelve, they might also be slightly disconnected from each other and possibly from any version of “good…”

(continued here)


And there be the February reads. As always, I welcome any recommendations! Read any good books lately?

Buckets, Knuckles, and Hex Codes

December (Not Quite the End of the Month) Month-in-Review

It’s been a year since I’ve done a month-in-review post. I’m sure you are all very excited to have me draw back the curtain again. Well, joke’s on you. Behind this curtain is a trove of canned goods and a mysterious bucket no one remembers buying and no one is willing to throw away. “Never discard a mysterious bucket” might be some sort of unspoken family rule. THAT joke is on me.

After this reasonless hiatus, I’m resurrecting the month-in-review because sometimes it’s useful to return to a familiar container and rattle around inside it for a bit. Will the month-in-review posts continue in 2026? MAYBE.

Before any sticklers jump into my mentions without even offering me a cookie, I am well aware that the month is not over.

However, many of you mentally end the year sometime in mid-November, based on how many “Wrap-ups” and “I’m ready for 2026” comments are floating around out there. Look, you do you, friend. I was taught to run through the finish line.

But, sure, we can call this the “Not Quite the End of the Month Month-in-Review.” Not fussy at all.

ANYHOO, Happy Holidays. Let’s begin with an injury.

Earlier this month, I busted my knuckle open (not a euphemism). A few people noticed and asked how it happened. “Fighting crime,” which no one believed. Then I said the untrue but plausible, “I was just walking around.” Everyone believed that. Thanks, people who know me.

(Between you and me, I used a little extra oomph putting on a sweater and slammed my hand into the door jamb after successfully locating the arm hole.)

Please don’t be freaky and ask for photos of my (admittedly sexy) busted knuckle. It’s hard to photograph your own hand while recovering from getting dressed all by myself vigilantism.

There were wonderful parts of December, for sure, despite my ability to get hurt by doing nothing and also by doing things. (See: colliding with furniture in my own house, ambient exhaustion, December.)

One of my sons has begun making Jeopardy! games for the family. In the last five weeks, he has made three.

These are not casual games, nor intended to make us feel good about ourselves or our inability to quickly access our knowledge base. These are utterly lawless events fueled by a natural understanding of humor that routinely takes us out.

The categories alone injured me once because I rolled off the couch laughing. (Note to all of my ex-boyfriends: I still got it!)

We’ve had Prehistoric Fish, Former FBI Director James Comey, and Shades of Red (a block of color labeled with its hex code). This so thoroughly aggravated my husband that the next game had the category Tints of Red. In one game, he created a category called Who’s That?, which involved identifying people from photos. The first image was of Millard Fillmore. The second was Dilbert. Two questions later: the same picture of Dilbert.

We considered ourselves lucky that the Dilbert questions were straightforward. Half the fun this kid has is in figuring out the most obtuse ways a question can relate to the category. And I will add that at least once each game is a question that simply says, “Touch the dog.” Which, yes, that is not a question, but we all run to Buddy like maniacs. He likes it. It’s got this vibe.

For my birthday, he shamelessly calibrated the game to some of my alleged areas of expertise, including Kurt Vonnegut, the family dog, Danish Butter Cookie Tins, as well as an entire category based on photographs of his school lunches.

Somehow, I lost.

Somehow, my husband won with a final score of –2400.

This game has it all: Intellectual chaos, hostile specificity, everyone yelling “WHAT IS GOING ON?” while the dog enjoys his celebrity and hopes Final Jeopardy is “Belly Rubs.” (It is not.)

So December has been largely survived up until this moment, and my knuckle is healing.

Does anyone know what that bucket is for?

Until we all figure it out, here are some

Splashes of Marvelous from December 2025:

  • Fellow Snarkians, I had no idea this was still a thing. I am delighted to be wrong. Entire stretches of my childhood were spent drooling over these guys.
  • If you ever have a chance to go see/hear the Chicago Gay Men’s Chorus, do it! I went to the Holly Dolly Christmas show and remained in an excellent mood for 2-3 business weeks.
  • It might technically be too late to prep for Jolabokaflod, but every day can be Jolabokaflod if your heart is pure. Or you feel like it. I’m making the rules now. If you need some ideas, I’ve got you.
  • Related, I would like to formally propose an evening where we gather around a fireplace, eat treats, and read. Silently. Shhhh. Let’s make this introverted bibliophile’s dream a reality. And if you talk, I’m cramming one of these in your mouth, and not gently.
  • This is the only type of “conversation piece” I’d ever want to wear.
  • The Best Simple Stuffing Recipe | Bon Appétit Trust me.
  • I baked three dozen cookies for school, another 900 dozen (give or take) for home. Emergency preparedness is important. This is why I have a small bag of sprinkles in my purse at all times. (True!)


After I sent those cookies off to school with my boys, one of them came home and brought me…a cookie. Not one I made, but a snickerdoodle. And before you have a problem with that, NO YOU DON’T.

  • The “two inches that were actually six” of predicted snow on 12/7. Insert jokes as you wish.

Well, what do you want? A cookie? (I may have several hundred dozen.)

Enjoy your week and watch your knuckles. (Maybe a euphemism).

Nestled. Stacked. Mashed. Cosplay.

Food-in-Food Ad Nauseam

I just made several dozen cookies using cookie butter, essentially folding finely ground cookies into other cookies. This was after I contemplated making Oreo-stuffed chocolate chip cookies.

Maybe it’s the season. Maybe it’s my brain. Most likely, it’s the eggnog that leads me to share these thoughts.

Once upon a time, food had a certain dignity. I don’t mean to romanticize the past – the food wasn’t necessarily good, but everything sort of stayed in its lane, just as God and Ina Garten intended. Pies and cakes didn’t go seeking thrills inside one another’s layers. A turkey wasn’t trying to form some sort of poultry Voltron with a duck and a chicken. And you could enjoy a donut without fearing it would attempt a surprise flank maneuver on the croissants.

(We’re just going to take a moment to pour one out for the troubling put-everything-in Jell-O era, okay?)

Image via Molded Memories (moldedmemories.food.blog)

Do yourself a favor and do not look up photos of the final product.

ANYHOO. BeJell-Oed fish aside, these were orderly days. Predictable.

Naturally, this didn’t last, because America, God bless her goofy heart, just had to ask things like, “What if this were two foods?” and “What if this were three foods wearing a trench coat?”

And we just had to answer, “Let’s find out!” We even had the temerity to be enthusiastic about it.

Long story short, everything started declining.

It’s not total collapse. Not yet, at least. Decline takes time. Decline is a gentle slope you slide down while clutching a cocktail weenie.

First came the turducken. Fine. Well, not fine. Terrible. But it was a novelty, a kitschy one-off we could pretend was harmless.

Along barreled the cronut, then entered the piecaken, and at that point the Universe quietly ducked out for cigarettes.

Of course, the Tofurkey strutted in trying to claim creative credit for all these food mashups. Pretty bold for a plant impersonating meat with more commitment than half the actors on the WB in its heyday.

Now, for those preparing to storm the comment section of this VERY SERIOUS AND HIGHLY ACADEMIC TREATISE to inform me I “misunderstand food” and to quote from the Book of You Got Chocolate in my Peanut Butter, I say unto you: NAY. NAY, ESTEEMED SCHOLAR. I am not speaking of such blessed unions

I speak of “Your chefs were so preoccupied with whether or not they could, they didn’t stop to think if they should.” I speak of culinary unions baroque and unsound, where a food is nestled inside another food, occasionally mashed with a third, and often pretending to be a fourth. I speak of the insult added to injury via portmanteau.

You may ask, “What ho, Malvolio?”

Which is a weird question right now. Why are you asking that?

A better question is, “What comes next?”

I (or maybe it’s the eggnog) have taken the liberty of imagining exactly that. (Oh, no.) I’m not saying these will happen, and I’m not saying they should.

Except they will.

And still, they definitely should not.

So, what horrors await?

A pork tenderloin tucked coyly into a soufflé, resulting in the Souffloin? The Brûléurger, a burger with a cracked sugar crust, because separating dinner and dessert is a real time waster?

There is, I fear, a genuine possibility of a Sushperd’s Pie, sushi nestled beneath mashed potatoes. This is the sort of thing you serve only to your nemesis.

Our pastries may develop pork issues (Baklavacon), and our Fritos may develop pastry issues (Fritocotta).

Let us not pretend we are prepared for the arrival of the Chocochimachattorellacci (Chocolate + Chimichanga + Cacciatore + Cappellacci).

Any faith in humanity you’ve been clinging to may at this point be folly.

Now, this is the part of the essay where I write some sort of takeaway. (Pun not intended, unless you laughed, in which case pun intended).

Ahem.

This is the part of the essay where I make it about me.

Look, maybe culinary monstrosities are born of loneliness and/or an impulse to unnecessarily break something, hot glue it back together, and call it innovation.

Maybe we keep stuffing food inside food because stuffing feelings inside feelings is harder and definitely not something to bring to an office potluck.

Or maybe some influencer is issuing gastrointestinal dares to shoppers as they enter the grocery store. I don’t know. Theories abound.

What is certain is that someone, somewhere, is going to read my jokes and think, “Bisquisketbabka? Challenge accepted.” And suddenly I’ll be forced to eat some sort of bisque in a brisket in a babka, and it’ll be my own damned fault.

But there’s still hope for you, dear reader.

If someone produces a Quesoquichewich, or a Mortarollini, or a Bouillabiscuitryanibatten, rise from your chair, walk to the door, and leave without looking back.

Now, if you’ll excuse me, my Salisbury Schn’moruflakanaki (Schnitzel + S’mores + Soufflé + Saganaki) is calling.

No, wait. That’s the eggnog.

I’ve named it Malvolio.