My go has been thoroughly gotten. My timbers shivered. Murgatroyd and Heavens have joined forces to create a chaos cabal.
Great googly moogly, folks, I’ve consumed not-quite-a metric buttload of books this year. I’ve also abandoned a few along the way without shame. Life’s too short and other platitudes
We long for stories that fuel the soul. Whether you get them through books, e-readers, audiobooks, puppet shows, or, MAYBE, you know, this superb nonsense right here. You’re welcome.
A lot of my reads this year were solid, some stellar, but these? These are the books that stuck like particularly hearty and literary overnight oats.
So, if your TBR pile isn’t yet a towering Jenga stack of ambition, here are some suggestions to make it so. Hopefully, there’s something here for your next visit to the reading nook of your choice.
This is the one I’ll crawl back to when I’m dangling off the edge of life’s proverbial cliff and need to grab hold of something — someone — for dear life. Artistically speaking. And also in all the other ways.
Aging, parenting, disillusionment, regret, grief, and the accompanying sense of fragility, presented with the calm of deep grief. It’s magnificent. It’s Didion.
This is the one I hope I’ll never need to return to — but I’m deeply grateful it’s there, should I need an unwavering companion when grief strikes its deepest, darkest notes.
So fricking weird. (*heart emoji*) Murata’s wild originality had me falling head over heels one moment and clutching my stomach the next. It’s the kind of book that makes you say, “Wait, what?” on every other page. Do read a summary before you dive in — it’s not for everyone.
This is the one I’ll revisit whenever I need to remind myself just how boundless, bizarre, and brilliantly unsettling human creativity can be.
Needle-sharp detail. Characters so deep you could drown in them. Language that brushes up against the divine. TIt’s a long one, sure, but not for a second did it feel like it. Every word earns its place.
This is the one I’ll revisit when I want to study with a master.
Can I interest you in a Pulitzer Prize winner that just doesn’t let go? This is the kind of book to take on a long train ride. Or several short ones. Or just sit with at your kitchen table, pretending you’re in some windswept European war zone while your coffee goes cold because.
Of this year’s books, the one I’m most likely to reread.
A deeply resonant, delightfully offbeat novel that juggles wild trips to the end of the earth, absurdity, and lawn warfare with pitch-perfect balance.
This is the one I’ll reach for when I need a reminder that satire can be both razor-sharp and laugh-out-loud hilarious. Also on those days when I want to pretend that I, too, am a perfectly flawed genius navigating a world that just doesn’t get her, but likes to text about her anyway.
A steaming hot bowl of chicken noodle soup — comforting, helpful, a little salty. Perfect. You want to rush through it? Wrong move. This is a slow-simmer kind of book. It’s the kind of thing you read and pause, read and pause. You mellow with it. That’s where the magic is.
This is the one I have already revisited several times as I bemoan one writing issue or another.
Percival Everett not only brings the goods, the whole goods, and nothing but the goods — he delivers them with such unapologetic brilliance that you’ll find yourself wondering, ‘How has no one done this before?’ And then you realize — no one else could have done this.
I am thunderstruck.
This is the one I will revisit when I’m in the mood to be astonished and delighted by audacious brilliance.
Read this when you are in a place to do so, if only because the writing and structure are elegant and majestic. But also, read it when you can stomach the violence and sorrow.
This is the one I will revisit to marvel over the near-perfection of the title piece.
There is warmth here, and ferocity. There is compassion, too, and an unwavering sense of curiosity. What does it mean to remember someone? What does it mean to be remembered? These are the questions Winik circles, never directly, but with every story she tells.
This is the one I’ll revisit to marvel at how entire lives can unfold in just a few paragraphs, every word chosen with surgical precision and care.
When I wrap up each month’s reading, I like to look for themes that connect the books I’ve enjoyed. I am exciting that way.
This month, the theme seems to be something like “Joke’s on you, asshole.” Fair. A little harsh. I should be nicer to myself.
Anyway, generally, I want my books to feel “slippery and wild,” as Gwydion Suilebhan described in his post about A Real Pain. . The books should make me work for it a little, challenge me, delight me, or knock me off-balance just enough.
This month has been mostly glorious, occasionally frustrating, and terribly on-brand for late November into December. There was so much illness in the house, including me. Two solid weeks of being sick cut into my reading time, as did an ocular migraine that I was sure was a retinal detachment (long story). Finals for the kids, Thanksgiving, and the usual chaos of life were all there too — the kind of busyness we’ve somehow convinced ourselves is virtuous. Spoiler: it’s not.
Still, there were hugs to give, cheers to yell as we clawed our way through heartaches, anger, joy, and everything in between. Most of the books I read this month fit the mood perfectly. And, as you’ll see next month, even Nuclear War (which I didn’t finish in time for this wrap-up) aligns thematically in its own toe-tapping way.
WHY do we do this? Why do we run around like caffeinated ferrets, scuttling to and fro with all our urgent ferret business, only to collapse in December like, “Yes, our ferret work here is done,” and then, immediately decide January is the perfect time to start sprinting again? (Side note: I am fully bracing myself for the onslaught of “Hard to believe, but it’s time to make summer plans for your kids!” emails by January 10th. No. Stop it. Please. Let us wallow in this current hellscape for five seconds before dragging us into the next hellscape — this time flavored with the bitter tang of FOMO over missing All the Important Things.)
Back to the books. There’s a clear thread of humanity in all its messy, ridiculous, and poignant glory.
Some of these were slippery. Some wild. Some both.
Which is all just to say these are the books that I (mostly) enjoyed enough to finish in the last month:
Marion Winik’s The Glen Rock Book of the Dead is approximately 50 brief, jewel-like portraits memorializing (if not nearly resurrecting)individuals who have touched her life. Inspired by the Mexican Day of the Dead traditions, where mourning and celebration dance together, Winik writes about people she’s known intimately and fleetingly. She flays open lives in just a handful of paragraphs, with warmth, precision, and dazzling compassion.
And oh, holy hell. Sometimes your new favorite book waits quietly, unremarkable in a groaning TBR pile. What a delight this book is. You will feel things you are unprepared to feel about the lives of people you don’t know and whose names you may never find out. Winik doesn’t so much write as she casts spells, allowing entire lives to unfold in under two pages. Each life is “introduced” in vibrant entrances, and their passing takes a back seat to their living. Each subject arriving fully realized, their deaths present but secondary to their lives. Winik seems more interested in how they lived and how our lives imprint on one another.
There is warmth here, and ferocity. There is compassion, too, and an unwavering sense of curiosity. What does it mean to remember someone? What does it mean to be remembered? These are the questions Winik circles, never directly, but with every story she tells.
It confronts pain and disappointment, isolation and failure, but it also finds joy, community, and the unyielding mystery of what it all means. The reader is left wondering what their own two-page version would look like. Disappointment? Pain? Trying to shield myself and my kids from it all, succeeding in some places, failing in others? That’s part of the story. But Winik reminds us that we get to write our own. And that pain? That joy? It’s real. It’s messy. It’s what makes life worth remembering. And it leaves you hoping, above all, that when your story is told, someone notices. Someone remembers. Because, damn it, you mattered. All of you. Your pain and your triumph.
These aren’t obituaries — they’re titrated snapshots of life, love, and the lingering weight of loss. is uplifting even as it wounds, surprising in its candor and its grace.
May we all be remembered like this.
This one is a stunner and you can expect to see it on my “Favorite Reads of 2024.”
Kate Atkinson’s Normal Rules Don’t Apply is a collection of linked short stories that’s equal parts literary magic trick and narrative haymaker. Atkinson throws you in — no hand-holding, no explanations. Just the weird, the wonderful, the unsettling. The result? A threaded, clanging tumble through lives and timelines.
This isn’t your run-of-the-mill short story collection. It’s a mind-bending, genre-hopping grab bag of what just happened?
This book is cheeky. Boisterous. It’s dark humor wrapped in a velvet glove, then slapped across your face for good measure. Atkinson sets you up with a grin, plays nice for a few pages, and then yanks the rug out from under you. And you’ll thank her for it, because it all tracks. It shouldn’t work, but it does. More than once as a story ended with a brilliant twist, my response was, “Clever girl. Of course.”
The rules of this universe are deliberately opaque. Atkinson leaves you to sort through the fragments, to make sense of the silences between what is said. It’s in those silences that her true mastery lies. She gives you just enough to see the edges of the abyss and then leaves you trembling on the brink.
The collection is quite the cocktail: a shot of Twilight Zone, a splash of Black Mirror, and just enough Grimms’ Fairy Tales to make you wonder what’s lurking in the woods. The rules of this universe are blurry, and that’s the point. And, you know, the title. Atkinson creates the illusion of coherence while actively undermining it.
You don’t settle into this book. You hover above it, guarded, watching through your fingers as the characters stumble into doom, misfortune, and the occasional epiphany. These are stories about endings large and small about how the world tilts on an axis so thin it’s a wonder we haven’t all already fallen off. The characters are magnets for misfortune, yet you are drawn to them, even if only to glimpse their ruin. You feel for them, in the way one might feel for a figure in a painting, separated by time and the inability to intervene.
Not every story is a slam dunk. Some are bumpy, but Atkinson’s gift for words, dialogue, world-building, and her ability to twist your brain into a Möbius strip more than make up for it. Her wordcraft is elegant, ruthless, and a lot of fun.
Standout stories for me included “The Void,” “Spellbound,” and “Classic Quest 17 — Crime and Punishment.”
Normal Rules Don’t Apply is fun. It’s spooky. It’s grim. It’s a Rube Goldberg machine of all sorts of end times — global, personal, and everything in between. And when you’re done, you’ll sit there, wide-eyed, and maybe a little haunted.
Cheryl Strayed’s Tiny Beautiful Things isn’t your average advice book — it’s a mixtape of truths wrapped in gorgeous prose and raw humanity. It’s a book of dualities: brutal yet tender, despairing yet hopeful, profound yet breezy. This isn’t sugarcoated “life gets better” nonsense. No, this is Strayed, as “Dear Sugar,” rolling up her sleeves, grabbing your heart with both hands, and saying, Look. This is it. This is life.It’s messy. It’s painful. It’s achingly, stupidly beautiful.
The letters are raw, the writers, asking the questions many of us are too scared to admit we have: Am I enough? Does this pain ever stop? Do I matter?Why am I so lonely? Why does life suck so hard? How do I make it through another Tuesday? These writers are raw, stripped down to their essence, but they are also filled with the absurdity of being human. And Strayed is right there, tossing out lifelines. Not fluffy ones. Not Hallmark-card platitudes. Real, gut-wrenching ropes woven from her own heartbreaks, mistakes, and triumphs. She doesn’t shy away from the mess; she dives right in and invites us to do the same. The water may not always be warm, but you’ll adjust. As Strayed replies with wisdom and candor, there is, when appropriate, a certain lightness. She is sharp, sometimes blunt, but never unkind.
“Vespers” is a stunner — a piece that makes you sit there, slack-jawed, wondering how someone can take pain and turn it into something sacred.
This book isn’t a balm; it’s a salve that stings before it heals. It picks at the scabs of life and gets to the tender, raw human stuff underneath. It’s so much about fixing your problems as it is about reminding you that you’re not alone in the mess. That we’re all just stumbling around, wanting the same damn things: joy, connection, purpose. And, yes, you can probably fix what needs fixing, if you’re brave. You can probably get through this particular heartache if you’re brave. And you’re going to be brave because you are not alone in this.
Tiny Beautiful Things is a reminder to stay human. To stay messy. To stay hopeful, even when it feels impossible. It’s also a reminder that there are good, decent, people in this world who are here for you and me, and we for them.
Cheryl Strayed doesn’t just give advice — she lights a fire in your chest and dares you to hold onto the warmth. You get a lifeline! You get a lifeline! Everybody’s feelings get saved — or at least acknowledged — and isn’t that half the battle?
Tiny Beautiful Things is here to break your heart, stitch it back together, and then maybe poke at it a little for good measure. It’s a book that’ll make you want to hug a stranger, laugh at your own bad decisions, and send a text to that one friend who always puts up with your nonsense. It’s brutally honest, occasionally breezy, and profoundly human. Read it, feel all the things, and maybe grab a box of tissues. You’re gonna need ’em. Chin up, friend. We’re here for each other.
For a script written in the seventeenth century, The Misanthrope by Molière has a strikingly contemporary feel. The sharp dialogue, biting wit, and complex interplay of ideals versus social niceties could easily be transplanted to a modern setting without losing its punch. Molière’s critique of societal hypocrisy still hits hard.
This wasn’t a game-changer for me, but it’s a classic I’ve wanted to check off my list, and I’m glad I did. There’s something refreshing about reading a script, where the dialogue and characters carry the story’s full weight. Alceste, the titular misanthrope with unyielding moralism, is both frustrating and fascinating, a man who despises the very world he’s hopelessly entangled in. His dynamic with Célimène, his perfect foil, creates a tension that still feels fresh. Her flirtations and charm contrast his severity and bluntness, and their relationship becomes the beating heart of the play. She is everything he claims to despise, yet he cannot look away.
Alceste’s disdain for pretense and societal hypocrisy feels less like a relic of 1666 and more like the bitter grumblings of someone scrolling through social media today. And yet, his rigid moralism isolates him, a reminder that the pursuit of ideals often comes at a cost. The play’s ending, where Alceste stubbornly clings to his principles, has sparked plenty of debate. Is it a comedic jab at the absurdity of rigid moralism or a quiet tragedy about isolation? Molière pokes fun at Alceste’s earnestness while acknowledging that society, in all its artifice, is hardly blameless. It’s not neat, not tidy, but just ironic enough to make you think. Alceste stomps off to be alone with his ideals, proving once and for all that being “right” doesn’t necessarily make you happy. It’s funny, frustrating, and real in a way that feels timeless. Classic Molière.
Look, it’s not going to knock “hanging out at Chuck E. Cheese for my twins’ 5th birthday” out of my top life experiences or anything, but I’m glad I read it. It’s clever, and its critique of human nonsense is as relevant now as it was when Molière wrote it. If you like your classics with a side of sarcasm and existential dread, give this one a shot. Plus, reading a script makes you feel fancy. Like you’re one latte away from writing your own play. And isn’t that lovely?
Arsenic and Old Lace is a dark comedy that takes sweet old lady energy and spikes it with cyanide. Mortimer Brewster, your average theater critic, discovers his adorable aunts have been murdering lonely old men and burying them in the basement. One brother thinks he’s Teddy Roosevelt; the other is Creature Feature of the Month having a bad day. The whole thing is bedlam.
I read the play, having heard my whole life that it was a real treat. I didn’t not get it, but I also didn’t get it-get it. So I watched the film — it’s not entirely faithful, but close enough. Same reaction. It’s not for me.
I don’t usually review things I don’t like, or even finish them, but I finished this, so I’m marking it here.
Millions of people love the play and the film, and I leave it to them with warm wishes that it continues to bring joy for years to come (and with sincere hopes that the name “Mortimer” makes a comeback.)
Next week I’ll post my favorite reads from 2024. I’ve got my eye on a lot for 2025. I went through the NYT list of the top 100 books from the year and it made a nice little graphic of things that caught my eye. The local librarians are going to get very sick of me soon.
Were you able to read much this last month? Anything good?
Oh, November. You spicy dirtbag what with your chaotic offerings. Pumpkin pie (yes!) My birthday (fine), and *checks hearing* skeet season. Indefatigable skeet season. Because nothing says “charming small town in late autumn” like ten-hour PEW PEW symphonies punctuated by leaf blowers every weekend. Best noise friends forever!
Apologies for griping about this again. I’m tired. And not in the fun “I ran a marathon” kind of way, but in the “I live inside a t-shirt cannon” kind of way.
I’d love to be cool about it. You know, like a Sweathog. They’re still cool, right? Or they once were? Sort of?
Bless their hearts.
Also, just so we’re clear: If I ever so much as hint at interest in running a marathon, call Liam Neeson. Clearly I’ve been taken.
Speaking of taking, my twins are out here taking tests — driver education, PSATs, SATs, a whole alphabet soup of Ts? It’s familiar and not so much. They don’t even have to fill in the circles completely and make their marks dark. What madness is that?
Life is lifing, people, and I’m bracing for the impact of seismic changes as they head out in a few years while also wondering what I did to make my back hurt this time. (Sneezing, probably.) Anyway, the twins and their younger sibling are excellent, hilarious humans who, for reasons unknown to science or the Divine, recently played tic-tac-toe using a photo of Bernie Moreno as the board. I don’t get it. I don’t want to get it. But I love them for it. Probably. Unless Urban Dictionary comes in hot with a definition so cursed it makes me question not just my potentially unholy parenting choices but also which cosmic joke stuck these tic-tac-toe anarchists with me as a mother.
Let’s awkwardly transition here to a more serious note: my mother-in-law passed away this month after illness and a hospice stay that felt both too short and impossibly long. Our rhythms are altered forever. Daily life feels like we’re walking through a house where someone rearranged all the furniture while we were sleeping.
Grief is a strange beast. It’s mercenary and acquisitive. It’s sneaky and insistent. Right now, everything feels very takey. I usually live in the givey camp, so there is clash. At some point, these two modes will need to mesh better (for me, for you, for all of us). But for now, we stand here, holding the pieces, hoping they’ll eventually fit together.
I know I’m not alone in this. Your pieces may look different and might fit together in another way, but we’re all arms-full of pieces.
We’ll figure it out.
This time of year always makes me crave community — real, soft-edged community. Now more than ever, because, honestly, it feels like half of us are allergic to the concept.
For now, I focus on a few good people, naps, moody weather, and curling my fingerless-gloved hands around a mug of something steaming. All the soft, cushiony, slightly drafty things. To be a hygge gourmand, if you will. Or if you won’t. Either way.
For now, the holidays charge at us like an over-sugared, under-napped toddler with a glitter cannon, my writing continues with something like enjoyment, and the world remains a noisy, beautiful dumpster fire of delight and despair.
But we’re here, right? We’re doing the damn thing, even if we have no idea what the damn thing is. I think it involves Hūsker Dū, but don’t quote me on that.
Or maybe Hüsker Dü?
As Brian Eno (probably) said: “You’re most alive when you’re not quite sure what’s going on.” If that’s true, then congratulations to me: I am the most alive human in the history of aliveness.
Pass the soup.
Here are some splashes of marvelous from November, 2024:
Watch the following at your own risk. I’m not sure what it is, exactly, but it has big car-crashes-into-a-random-iceberg-floating-down-Main-Street energy. And this ditty is constructing a weird little flute-shaped nest in my brain. Rent free.
This quote by Louise Glück hit me like a piano falling from the sky — sudden, sharp, and oddly satisfying. Except that satisfying part. More like a not-entirely unpleasant metaphysical headache in the key of F#. Anyway, it’s less frustrating than the movie Interstellar.
Read this article about Pulp Fiction turning 30: a retrospective so cool it wears sunglasses indoors. I recommend pairing it with a Royale with Cheese (not included).
Technically this was an October delight. I attended a reading featuring many of the authors from the anthology 3rd and Oak. Then I got the book. You should, too. And if you ever get the chance to see these authors reunite, drop everything and go. Also, a PSA: if Carrie Hayes is moderating anything — I don’t care if it’s a PTA meeting or a seminar on municipal parking regulations — ATTEND. Trust me.
Erika Meitner’s poem over at The New Yorker. Read it. Absorb it. Embody it. Punch a clock in its smug little face. Not this clock, though. It’s cute.
Available at kawaii-heaven.com. I have no affiliation.
Every so often, my teenagers willingly hang out with us, and when they do, we play Jackbox. And let me tell you, I laugh to tears every single time we play. The games are varied enough that everyone gets a moment to shine. Real self-care is enjoying your weird, wonderful family.
So, howdy, December! May yours be full of good essays, weirdly compelling nonsense, and laughter so uncontrollable it could be classified as a cardio workout.
And feel free to call Liam Neeson for me anyway. He seems like he’d be fun to talk with.
Jackie Pick 